Aanraakbaar maken van tijd & klimaat
Het gieten van het dunste doorschijnende eierschaal porselein is als een oefening in vooruitzien op een toekomstig klimaat om de poëzie van Aardse kwetsbaarheid en vergankelijkheid tot uitdrukking te brengen.
Tangibility of time & climate
Casting the thinnest translucent eggshell porcelain is an exercise in anticipation of a future climate to express the beauty of Earthly vulnerability and transience.
finissage artist-in-residency at Cool Clay Collective, Rotterdam, 2025
artist-in-residency at Cool Clay Collective, Rotterdam, 2025
conceptual artist, (sub)urban curator, tutor, maker
art + heritage + society + art as public space, inventor of Innovatory Heritage
from static/exclusive towards dynamic/inclusive heritage
from material heritage to include also immaterial heritage
sea + time + landscape + climate + society, co-founder, artist-curator of artists collective Satellietgroep
from professional climate awareness towards inclusive public climate awareness
it’s a love story! Earth, ceramics, time & climate, research, public touching upon time & climate, still-life
conceptual porcelain | climate conscious ceramics | future paleo porcelain
maker | re-invent historic porcelain- and Bone China recipes | re-use, re-cycle, up-cycle with respect for re-sources, both natural and artifactual | hybrid fossils-artifacts | North Sea Mammoth Fossils Porcelain | The Hague Dunes Iron Age Pottery Porcelain | aardtijd | Bekers met Ziel | Cups with Soul | Raw Subscapes & Raw Plantscapes | still – life | plant made | botanical porcelain | Biodigital Eggshell Porcelain | Future Paleo Porcelain & more.
Recent artist-in-residencies at BC3, Basque Centre for Climate Change in Bilbao 2019; EKWC, the European Ceramics Work Centre in 2020; EKWC in 2021; Zone2Source Amsterdam 2021; Cascadas Artspace Barcelona 2022; Zone2Source Amsterdam 2022; ClayKitchen Portugal 2023; Zone2Source Amsterdam 2024; Kouraku Kiln in Arita, Japan in autumn 2024, with special thanks for the Research Grant by Stroom The Hague; Cool Clay Collective Rotterdam in 2025, with special thanks to funding by Van Achterbergh-Domhof Foundation, the Natural History Museum Rotterdam, Bram Langeveld, Bert van der Valk, Sander Alblas, Yvo van Os, Vuur Collective Amsterdam and Cool Clay Collective Rotterdam.
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solo exhibition botanical porcelain, artist-in-residency with Kouraku Kiln at Big Ginkgo Izumiyama Community Center, Arita Japan
new circular research Overlevers | Survivors
immersive climatescapes, conceptual porcelain, hybrid fossils-artifacts, hybrid living fossils
Exhibition, part of Our Living Soil, Zone2Source at Glazen Huis, Amstelpark Amsterdam; July-mid Aug 2022: Dagzomen, artist-in-residency at Park Studio de Orangerie, Amstelpark
performative intervention, Arti et Amicitiae, Amsterdam 2022
![toenadering [ˈtunadərɪŋ] 2021](https://lxwxdxtime.world/wp-content/uploads/2021/06/img_7872.jpg?w=800)
toenadering [ˈtunadərɪŋ] 2021 with danser-choreographer Kenzo Kesuda
Open Studio, introducing The Hague Dunes Iron Age Porcelain & – Celadon at Test Case XXIV, EKWC – the European Ceramics Work Centre, 2021
reinventing porcelain, Bone China, recycling Iron Age pottery shards; 2nd artist-in-residency EKWC – the European Ceramics Work Centre, 2021
5 months artistic field research, followed by 5 months DIY public participations, 2021
17th century majolica shard, raw earth samples to depth of 10 meters & time-depth of 6.000 years; part 5 of The becoming, The Being & The meanwhile, subsurface as living climate archive, 2021
the in-between-ness of art & heritage with soil/Earth; part 4 of The becoming, The being & The meanwhile, 2021
Open Studio, introducing 3-d printed North Sea Mammoth Fossils Porcelain & – Celadon at Test Case XXII at EKWC – the European Ceramics Work Centre, 2020
reinventing porcelain, Bone China, recycling mammoth fossils; artist-in-resident at EKWC – the European Ceramics Work Centre, 2020
part 3: Breath of Soil(s), Zone2Source, 2020
Land in Wording, part 1: Genesis & part 2: Onland, subsurface as living climate archive, Zone2Source, 2019
is my shell cabinet a zoo?
Posidonia Oceania, Ibiza, 2019
schommel, swing, TENT, Witte de Withstraat, Rotterdam 2001
essay, published in ‘The Sand Motor: a nature-based response to climate change’ by Delft University Publishers, 2017
art redefines climate as an artifact, as something we make, curator, exhibition at Electriciteitsfabriek The Hague
essay, published in ‘The Urbanisation of the Sea’, nai010 Publishers, 2020
Wadden Island Terschelling, Oerol, 2017
Destination Highway Afsluitdam, Afsluitdijk a rock shore habitat in between 2 Natura2000 areas, 2017
artist-in-resident Praputnjak, Croatia, 2017
artist-in-resident at Governors Island, introducing Climate Hub NYC, 2015
artist-in-residency programs & Public Expeditions #1-18, ongoing
walking all the shores of the Netherlands, 2014 & 2015
co-curator Liminal imaging of nature, Nida Art Colony, Lithuania, 2014 & 2015
artist-in-resident Malta, Gozo, Buoyant-F’wiċċ l-ilma, 2016
the shift from static/exclusive to dynamic/inclusive heritage
Badgast, artist-in-residency programs, Scheveningen 2009-2014, publication
We all live in a bubble of a Truman Show.
One day you wake up and realize what kind of world you live in …
constructs of identity themed around a childhood memory
sensing light, time, space, movement
Jacqueline Heerema 