To plant a seed to spark the unforeseen future.
Jacqueline is conceptual artist, mediator, writer, tutor and (sub)urban artist-curator.
Keywords: perceptions of time, landscapes, matter and climate; art as public space; artistic field research; collaborations arts, sciences and public; public and professional climate consciousness; education arts-sciences.
The time of the earth is not (yet) in our senses.
Faced with current and future environmental challenges, we need to develop a new view of the planet and of the self. With a practice in the arts and cultural heritage I tend to perceive the world from an artistic perspective, with a focus on perceptions of the history and future of humanity. Working, and making public programs with a wide range of artists, designers, audiences, local experts and scientists, I seek ways to include the non-human narrative, the pre-human history of nature. This helps me to provoke new ideas about the origins of both the natural and the artifactual, to enhance a deeper professional and public understanding of their interconnectivity, of the time-depth of landscapes and matter, climate, earth and atmosphere, and of ourselves as human agency.
I am convinced that the arts can offer alternative strategies for the way we inhabit Earth by creating different worldviews, that includes the past, present and future.
Jacqueline Heerema (Netherlands, 1958) is a Dutch conceptual artist, mediator, writer, tutor and (sub)urban artist-curator. She studied Monumental Art and Environment at the Royal Academy of Art The Hague and Theoretical Museology at Leiden University. Jacqueline is fascinated by the construction of ‘time’ and changing perceptions of value systems, which we often take for granted.
Her work arises in-between images and words, landscapes and matter, works of art and people, time and climate. She addresses concepts of ‘worldmaking’ and notions of timescaping, matterscaping, landscaping and climatescaping to offer an alternative strategy for the way in which we relate to each other, with the other and with otherness. She focusses on the in-between-ness of the natural and the artifactual to create space for reciprocity and polyphony in a changing world.
Jacqueline initiates, develops, facilitates and supervises artistic field research, ephemeral interventions, exhibitions and large-scale projects in the public domain and creates ‘art as public space’. She is the inventor of Innovatory Heritage, in which the understanding of heritage shifts from static/exclusive to dynamic/inclusive. She transformed a residential area into ‘Museum Oostwijk’ (2002-2009) and deconstructed institutional museology in ‘The Chamber of Marvels’ (2008-2009).
Jacqueline enhances dialogues between the arts, sciences and society. She creates conceptual and programmatic conditions for international artist-in-residency programs and public programs for various target groups with artistic field research, public expeditions, exhibitions, debates and workshops. Her network consists of artists, designers, filmmakers, architects, landscape architects, scientists in the fields of ecology, climate, geology, archeology, oceanography, philosophy, zoology, botany, culture, cultural and natural heritage and spatial planning. She engages with pupils and students and collaborates with art academies, universities, policymakers and citizens scientists. She regularly gives talks at home and abroad in areas that are often far beyond the realm of the arts, to enhance discourse between the arts, design and different knowledge domains and with the public.
As part of her artistic practice Jacqueline co-initiated Satellietgroep (The Hague, 2006) and is artist-curator since then. Satellietgroep is an artists’ collective that explores the reciprocal relations of humanity and nature from an artistic perspective, with a focus on the sea, (coastal) landscape transitions, climate and the impact of humanity on the environment in the Netherlands and abroad. In 2018, Satellietgroep posed the question Who is nature? With the exhibition program ‘Climate as Artifact – Klimaat als mensenwerk’, Satellietgroep positioned dialogue about climate and the impact of humanity as a geological force in the cultural domain. Materializing ideas through art and redefining climate as an artifact, as something we make, helps to increase our sensitivity and to see connections within the natural world and between our actions and our environment.
A recent 5 months artistic field research, followed by 5 months of DIY public participations called Who is Dommel? – themed around a Dutch rain river valley – draws attention to the interconnectivity of time with climate, of geodiversity with sociodiversity, hydrodiversity and biodiversity (commissioned by Waterschap De Dommel, KunstLoc Brabant, Landschapstriënnale, 2021).
In 2019-2020, Jacqueline was artistic researcher at University Twente, Dept. Water Management to develop a new education curriculum for art and engineering students. This initiative is called ‘Beyond Technology’ and developed i.c.w. Art & Design Academy ArtEZ. It stems from the need to approach upcoming challenges in the environment from a versatile perspective by bridging the gap between the arts and humanities/social sciences and the natural/technological sciences.
Among her recent art projects are ‘The becoming, The being & The meanwhile – subsurface as living climate archive’, themed around a constructed swamp called Land in Wording, Amstelpark Amsterdam. She reconstructed the Genesis and performed the public intervention Onland (2019), found an 17th century artifact and sourced subsurface soils with a depth of 10 meters and a time-depht of approx. 6.000 years, exhibited Breath of Soils(s) in context of a public program (Zone2Souce, 2020), followed by Soft Soils (VU, CLUE+, essay 2021, exhibition at Arti et Amicitiae is postponed to 2022) and now works on the concept of ‘aardtijd’ (Zone2Source, Sundaymorning@EKWC, 2021-ongoing).
In 2020 Jacqueline was artist-in-resident at Sundaymorning@EKWC, the international centre-of-excellence for ceramics. She had noticed at the intersection of art, paleontology, geology and archeology a parallel in the becoming of a fossil and of ceramic techniques, like a mold, cast or imprint, and the understanding of climate as temperature, humidity, etc. With fragments of Mammoth fossils (sourced at Zandmotor), she developed hybrid materials – in-between a fossil and an artifact – called North Sea Fossils Porcelain, -Celadon and -Sigillata, eventually successfully 3-d printed with Mammoth fossil matter and created a series of fossil
fragments |ceramic shards. She presented sedi | senti |ment during Test Case XII.
For the second residency in 2021 she collaborated with the Natural History Museum Rotterdam and explored the concept of re-sourcing with ceramic artifacts of Iron Age cooking pottery shards (sourced in The Hague dunes), with special thanks to The Hague Archeology and AWN (Volunteers is Archeology). Experimentally she discovered a kinship between different entities, which either repel or attract each other. She calls this ‘residual intimacy’.
She wrote the reflexive essay of 10 years artistic field research with Zandmotor, ‘Pioneering Zandmotor – Zandmotor as source to rethink anthropogenic coastal modifications of cultural public space’, published in Research by Urbanism, University Delft Publishers (2021). She gave an artist talk at the international Coastal Dynamics Conference at TU Delft and developed a series of Public Field Lessons on time, sea and climate (2021).
Since 2015 she is volunteer of AWN, the Dutch Association of Volunteers in Archeology.
Chair of De Onkruidenier Foundation since 2019.
In 2021 she became chair of the board of Dutch-Belgian Klimaatdichters Foundation.
Projects are commissioned or funded by Stroom Den Haag, Mondriaan Fonds, DOEN, Stimuleringsfonds Creatieve Industrie and more.
Projects, global overview:
1996-ongoing: Anecdotical whereabouts, interventions in public space, art as public space
2020-ongoing: Artistic-curatorial research of ‘in-between-ness’ of the natural & the artifactual
2019-ongoing: The becoming, The being & The meanwhile, artistic research of subsurface as living climate archive, Land in Wording, Zone2Source, VU-CLUE+ Amstelpark Amsterdam
2019-2020: Artistic researcher at Universiteit Twente, co-initiator Beyond Technology i.c.w. Art Academy ArtEZ
2009-2019: artist-curator of international artist-in-residency programs, artists’ collective Satellietgroep
2014-2015: Walking the shores of the Netherlands, The Anthropogenic Coastal Atlas
2013: Guest-curator Stellingname – water, land and innovatory heritage, Kunstfort bij Vijfhuizen
2008-2009: Initiator, artist-curator The Chamber of Marvels, Zoetermeer
2006-now: Co-initiator, artist-curator of artists’ collective Satellietgroep
2002-2009: Initiator, artist-curator Museum Oostwijk, Vlaardingen
2002-2006: Curator WindMee, South-Holland
2001-2003: Initiator, artist-curator of artist run initiative Hot Red Lokaal, The Hague
2000-2005: Ik noem haar Roos, artistic programs themed around constructions of identity
Selection of recent exhibitions, public programs, essays & artist talks:
(postponed due to COVID-19) Soft Soils, aardtijd, The becoming, The being & The meanwhile, subsurface as living climate archive Part 5 on exhibit at Arti et Industriae, Amsterdam.
Re-cast as repository | residual intimacy, second artist-in-residency at Sundaymorning@ekwc; open studio presentation during Test Case XXIV.
Artistic-curatorial research of ‘in-between-ness’ of time + geodiversity + biodioversity + hydrodiversity + sociodiversity’ is supported by Mondriaan Fonds.
Narratives of Soils, artist talk at Community Garden SNV for seminar Learning with Others: Contemporary Issues in Art and Design Education, Piet Zwart Institute – Willem de Kooning Academy Rotterdam
aardtijd; toenadering; artistic research-in-progress, The becoming, The being & The meanwhile, subsurface as living climate archive Part 5, i.c.w. Kenzo Kesuda, Eline Kersten at Glazen Huis, Zone2Source; artist-in-residency at Sundaymorning@ekwc.
Van Doggerland t/m Zandmotor, public field lessons on time, sea and climate at Zandmotor.
Who is Dommel, artistic field research with DIY public participation, artist-curator for Satellietgroep, commissioned by Waterschap De Dommel, KunstLoc Brabant, part of Living Lab Brabantse beken, Landschapstriënnale 2021.
Pioneering Sand Motor – Sand Motor as source to rethink anthropogenic coastal modifications of cultural public space, essay, author, published in ‘Building with Nature Perspectives’, Research in Urbanism Series by Delft University Publishers. Artist talk at international Coastal Dynamics Conference at TU Delft.
Soft Soils, essay, author, is published in ‘Exploded View, Art and Research on Layered Landscapes in Transition’ by CLUE+, Interfaculty Research Institute for Culture, Cognition, History and Heritage at Vrije Universiteit Amsterdam.
Breath of Soil(s), The becoming, The being & The meanwhile, Part 3 – is included in ‘Biophilia: van vensterbank tot landschap’ by Erik A. de Jong (Dutch only, essay geschreven bij het afscheid als ARTIS-hoogleraar Cultuur, Landschap en Natuur aan de Universiteit van Amsterdam).
sedi | senti | ment, open studio presentation at Test Case XXII, Sundaymorning@ekwc.
Artist-in-resident at Sundaymorning@ekwc, European Ceramics Work Center.
Breath of Soil(s), The becoming, The being & The meanwhile Part 3, Land in Wording, exhibition and public programs at Glazen Huis, Zone2Source, Amsterdam. Philosopher Lietje Bauwens participated in the workshop Soil Analysis and wrote the essay ‘Er woont iemand in het moeras’ for Mister Motley (Dutch only)
Guest at radio program Soil Matters, Amsterdam
Inhale. Exhale. The art of making a peat ball, an earth sphere, 24hr online global workshop, i.c.w. RE-PEAT Collective, World Peat Day 2020
Matter of Time, video, Earth Day 2020
Beyond Technology Magazine, co-author, publication i.c.w. University Twente and Art Academy ArtEZ
Who is Nature? essay i.c.w. Lotte Bosman, published in ‘Urbanisation of the Sea’ by Nai010 Publishers
Onland, public intervention, The becoming, The being & The meanwhile Part 2, Amstelpark Amsterdam
Genesis, research of the genesis of Land in Wording, The becoming, The being & The meanwhile Part 1, Amstelpark Amsterdam
Artistic researcher at Universiteit Twente, dept. Water management, co-initiator of Beyond Technology, pilot new curriculum i.c.w. Art Academy ArtEZ
Can co-creation of (students of) the arts and sciences enhance public climate-consciousness? artist talk at Basque Center for Climate Change (BC3), Bilbao, Spain
Beyond Technology Magazine, in between art and science, artist talk at Art in the Anthropocene conference, Dublin
Beyond Technology, in between art and science, artist talk at 4UT Resilience conference, Universiteit Twente
Climate as Artifact – Klimaat als mensenwerk, essay, author of review for Satellietgroep
Climate as Artifact – Klimaat als mensenwerk, artist-curator for Satellietgroep, exhibition program at Electriciteitsfabriek, The Hague.
Zeelab #1-5, artist-curator for Satellietgroep, #1 Uptime_ (Nest), #2 Climate as Game Changer (Border Sessions), #3 Environmental Literacy, #4 Global Waves, #5 Landscape Observations (Climate as Artifact).
Who is nature? concept, field research, artist-curator for Satellietgroep, pre-program of Climate as Artifact.
Who is nature? interviewed by sociologist Ruben Jacobs at V2_ Rotterdam.
Hole in the Sea, video, artist-in-residency Sources and Resources, exhibition at Praputnjak, Croatia.
The Culture of Nature, artist talk at 16th ISISA Islands of the World Conference ‘The changing futures of islands’, Leeuwarden EU Cultural Capital 2018 i.c.w. Waddenacademie at Terschelling.
Innovatory Heritage, guided tour at Zandmotor for Re-Scape Colloquium of Centre for Global Heritage and Development, Leiden University, Erasmus University, i.c.w. Design & History research group TU Delft and CLUE+, Interfaculty Research Institute for Culture, Cognition, History and Heritage at Vrije Universiteit.
Who is nature? artist talk at Viscous Space North Sea Conference i.c.w. Centre for Global Heritage and Development and History of Architecture and Urban Planning, at TU Delft.
Zandmotor – a cultural phenomenon, essay, author, published by Delft University Publishers.
Double Talk, artist talk at Delta Interventions TU Delft, Faculty of Architecture, North Sea Landscape of Coexistence, at TU Delft
Sources & Resources, field research, artist-curator for Satellietgroep i.c.w. Tandem, Leeuwarden2018 EU Cultural Capital, Rijeka2020 EU Cultural Capital, ECF, MidOst, at Rijeka, Croatia.
Who is heritage? artist talk, Zone2Source and CLUE+/VU at Vrije Universiteit Amsterdam.
Nominated for NIAS-KNAW artist-in-residency 2018.
Arts & The Concept of Building with Nature, artist talk at conference NWO-NKC at Jaarbeurs Utrecht.
Arts & The Concept of Building with Nature, artist talk at Cornell University-Architecture, Art and Planning Studio Space, i.c.w. Dutch Consulate at New York City.
The Abundance & Scarcity of Sand, co-initiator of seminar i.c.w. Atelier NL, MU Art Space at Dutch Design Week.
Destination Highway Afsluitdam, field research, artist-curator for Satellietgroep, exhibition program, commissioned by Ministry of I&M, at Afsluitdijk
Sea Rise, exhibition & artist-talk, Lund University, Malmo Design Center, Sweden
Zandmotor, artist-curator for Satellietgroep, Mondriaanfonds Binnenland Gastatelier
Making Time, artist-curator for Satellietgroep, public exhibition program at Center for Archeology, Nature- and Environmental Education, The Hague
Prospectors, three layers of landscape, field research, artist-curator, exhibition program, Satellietgroep i.c.w. Onkruidenier, at Intersections Art Rotterdam, Rotterdam
Landscapery, Gardening without borders, artist-curator, field research, public expeditions program, Satellietgroep i.c.w. Onkruidenier, at Oerol, Terschelling
Artist-in-resident on Malta, field research, artist-curator for Satellietgroep, exhibition proposal Byoyant for Valletta – Malta EU Cultural Capital 2018.
Coupures in coastal landscapes, field research, artist talk for Arcadis at Domein Raversyde, Belgium.
The Sublime Coast, cultural analysis, artist talk for Coastal Network Netherlands-Belgium.
Landschapsextracten Waterland, field research, public expeditions program, Satellietgroep i.c.w. Onkruidenier at Over het IJ Festival, Amsterdam.
Zandgast, design proposals for air/visitor center at Zandmotor, artist-curator for Satellietgroep i.c.w. stakeholders.
Zandmotor artist-in-residency programs, artist-curator for Satellietgroep
Sea and Zandmotor – source of innovation, artist-curator for Satellietgroep, public exhibition program at Center for Archeology, Nature- and Environmental Education, The Hague
Arts & Climate Change, artist talk at EU Parliament in Brussels, COP21.
Artist-in-resident Liminal Labs#3, LMCC, field research, exhibition program at Governors Island in New York City.
Zandgast, cultural vision art-science-public, commissioned by Province South-Holland.
Welcome in the Water Bubble, field research, artist-curator for Satellietgroep, public expeditions program at Into The Great Wide Open, Vlieland.
Artist-in-residency exchange program Liminal Labs#2, artist-curator for Satellietgroep i.c.w. NCCA i.c.w. ProArte at St. Petersburg.
Artist-in-residency exchange program Liminal Labs#1, artist-curator for Satellietgroep i.c.w. Nida Art Colony, Lithuania.
Shared or Mutual Cultural Heritage, artist talk, Ministry OCW and BUZA.
Anthropogenic Coastal Atlas, artistic researcher, commissioned by Rijksdienst Cultureel Erfgoed (RCE).
Artist-curator of international artist-in-residency and public programs for artist collective Satellietgroep:
2014-now: Public Expeditions #1-18, Zandmotor, polders, wadden, Afsluitdijk.
2017: Zandgast, Zandmotor is Mondriaanfonds Binnenland Gastatelier
2014-now: Zandgast, Zandmotor.
2013-2019: DCR Gueststudios, The Hague.
2012-now: Now Wakes The Sea, international exchange artist-in-residency programs Netherlands – New York, Japan, UK, Malta, Lithuania, Russia, Georgia, Moldova, Turkey; curatorial resident.
2009-2015: Badgast, Scheveningen.
Exhibitions, public programs (selection):
2022: (postponed due to COVID-19) Soft Soils, The becoming, The being & The meanwhile, subsurface as living climate archive Part 4 on exhibit at Arti et Industriae, VU-CLUE+ Amsterdam, expected January 2022
2012-ongoing: Zeespiegel – Mirror on the Sea, 24/7 open air exhibition, boulevard Scheveningen
2021: aardtijd, Zone2Source, Amsterdam
2021: Sensoilations, online program during 24hr Online Global Peat-Fest 2021
2021: Who is Dommel? Landschapstriënnale 2021
2020: sedi | senti | ment, Test Case XII, Sundaymorning@ekwc
2020: Breath of Soil(s), exhibit and public programs, Zone2Source, Amsterdam
2020: Inhale. Exhale. The art of making an earth sphere, 24hr online global workshop, i.c.w. RE-PEAT Collective
2020: Matter of Time, video, Earth Day 2020
2019: Onland, public intervention, Zone2Source, Amsterdam
2018: Climate as Artifact – Klimaat als mensenwerk, Elektriciteitsfabriek, The Hague
2018: Zeelab #1-5: Uptime_ (Nest), Climate as Game Changer (Border Sessions), Environmental Literacy, Global Waves, Landscape Observations (Climate as Artifact)
2018: Sources and Resources, Praputnjak, Croatia
2017: Landscapery, Gardening without Borders, Oerol, Terschelling
2017: Destination Highway Afsluitdam, Ministery I & M, Afsluitdijk
2017: Sea Rise, Lund University, Malmo Design Center, Sweden
2017: Prospectors, Three layers of Landscape, Intersections, Art Rotterdam
2017: Making Time, Center for Archeology, Nature- and Environmental Education, The Hague
2016: Landschapsextracten Waterland, Over het IJ Festival, NDSM Amsterdam
2016: Sea and Zandmotor – source of artistic innovation, Center for Archeology, Nature- and Environmental Education, The Hague
2015: Welcome in the Water Bubble, Into The Great Wide Open, Vlieland
2015: Liminal Labs#3, LMCC – Governors Island, New York City
2015: Liminal Labs#2, NCCA – ProArte, St. Petersburg (Russia)
2014-2018: Public Expeditions #1-16, Zandmotor, polders, wadden
2013: Zeelust, GEMAK, The Hague
2013: Stellingname – water, land & innovatory heritage, Kunstfort bij Vijfhuizen
2012-2013: Now Wakes The Sea, Chisinau (Moldova), Batumi (Georgia), Moskou, Kaliningrad (Russia)
2012: Now Wakes The Sea, Sinop & Istanbul (Turkey)
2010: CCC-Combine, Compare or Conflict, Istanbul (Turkey)
Publications, essays (selection):
2021: Pioneering Zandmotor, essay, author, published in Building with Nature Perspectives, Research in Urbanism by Delft University Publishers
2021: Soft Soils, essay, author, published in Exploded View, Art and Research on Layered Landscapes in Transition by CLUE+, Vrije Universiteit Amsterdam
2020: Who is nature? essay, co-author, published in Urbanisation of the Sea by Nai010 Publishers
2020: Beyond technology Magazine, co-author, publication i.c.w. University Twente and Art Academy ArtEZ
2018: Zandmotor – a cultural phenomenon, essay, author, published by Delft University Publishers
2015: Conversations between arts and heritage, essay, author, to be published in Innovate Heritage, Berlin
2014: On Flux of Sand and Aquatic Ecosystems, co-curator of Inter-Format Symposium hosted at Nida Art Colony, Lithuania; author, essay Liminal imaging of nature, published in Log6 by Nida Art Colony.
2013: Badgast, author, Satellietgroep, publication Badgast artist-in-residency programs Scheveningen
2013: Now Wakes The Sea, co-author, Satellietgroep, publication of international exchange artist-in-residency programs Netherlands-Turkey in 2012
2013: The concept of Innovatory Heritage, essay, publication ICOM Rio 2013 – COMCOL Museology, in the context of the talk at ICOM Rio 2013, Rio de Janeiro, Brazil
2009: 4289, The Chamber of Marvels of Zoetermeer, co-author, publication, spread to all museums, heritage and heritage education institutions in the Netherlands, 1200 editions
2009: Museum Oostwijk, author, publication spread house-to-house in Oostwijk, Vlaardingen, 3000 editions
2008: Beachlife, co-author, Frame Publishers
2008: S.MAG#2 Zee – Geen zee, Sea – No Sea, co-author, Satellietgroep Sea Magazine
2007: S.MAG#1 Zeedelijk, co-author, Satellietgroep Sea Magazine
Artist talks (selection):
2021: Narratives of Soils at Community Garden SNV, for seminar Learning with Others: Contemporary Issues in Art and Design Education Piet Zwart Institute, Willem de Kooning Academy Rotterdam
2021: Who is Dommel? For Waterschap De Dommel, online due to COVID-19
2020: Can co-creation of (students of) the arts and sciences enhance public climate-conciousness? Seminar at BC3, Basque Center for Climate Change, Bilbao, Spain
2019: Beyond Technology, Art in the Anthropocene Conference, Dublin
2019: Beyond Technology, 4UT Resilience Conference, Universiteit Twente
2018: Double Talk, Delta Interventions TU Delft, Faculty of Architecture, North Sea Landscape of Coexistence
2018: Who is nature? Interviewed by sociologist Ruben Jacobs, V2_ Rotterdam
2018: Who is nature? Viscous Space North Sea Conference, Centre for Global Heritage and Development and History of Architecture and Urban Planning, TU Delft
2018: The Culture of Nature, 16th ISISA Islands of the World Conference ‘The changing futures of islands, Leeuwarden EU Culturele Hoofdstad 2018, Waddenacademie, Terschelling
2018: Innovatory Heritage, Re-Scape Colloquim, The Centre for Global Heritage and Development, Leiden University, Erasmus University, the Design & History research group TU Delft, CLUE+, VU Amsterdam
2018: Sources & Resources, Tandem, Leeuwarden2018 EU Cultural Capital, Rijeka2020 EU Cultural Capital, ECF, MidOst in Rijeka, Kroatië
2018: Who is heritage? Zone2Source, CLUE+, at VU Amsterdam
2017: The Abundance & Scarcity Of Sand, symposium icw Atelier NL, MU Art Space, Dutch Design Week Eindhoven
2017: Arts & The Concept of Building with Nature, NWO-NKC Conference, Jaarbeurs Utrecht
2017: Arts & The Concept of Building with Nature, Cornell University – Architecture, Art and Planning Studio Space, Dutch Consulate in New York City
2017: Arts & Climate Change, International Coastal Conference, Lund University, Malmo Sweden
2016: The Anthropogenic Coastal Atlas, GEOBUZZ Conference
2016: Arts, science, politics and climate change, ESOF Conference, Manchester
2016: Hybrid relation of mankind and man-made nature, MANMADE, Domein Raversyde, Belgium
2016: Zandmotor A Cultural Phenomenon, 5 years Zandmotor Conference, Kurhaus Scheveningen
2015: Arts & Climate Change, EU Parliament Brussels, COP21, Brussels
2015: Heritage as artistic strategy, Open Set Dutch Design Summer School, Witte de With, Rotterdam
2015: Arts & Climate Change, National Deltaconference
2015: Arts & Climate Change, Oerol – Sense of Place, Terschelling
2014: To Whom Belongs The Sea? for Failed Architecture at TodaysArt, Scheveningen
2014: Arts and Innovatory Coastal Cultures, North Sea Conference, Ministry I & M
2014: Innovatory Heritage, Innovate Heritage Conference-conversations between arts and heritage, Berlin
2013: Can art contribute to new concepts of heritage, museums, collections and society? ICOMRio2013, Rio de Janeiro, Brasil
2013: Now Wakes The Sea, NIP-The Netherlands Institute, St. Petersburg
2013: Telling the Baltic, Marine Museum, Kaliningrad
2013: Mutual AiR Impuls, International artist-in-residency Conference, Transartists, Dutch Culture, at Moscow
2012: Participative Collecting, Expert Meeting, Museu Da Mare (Rio de Janiero, Brasil), Image IC, Kosmopolis Rotterdam, Reinwardt Academy, Rotterdam Museum, at Reinwardt Academy, Amsterdam
2012: Culture & Coastal Transitions, International Coastal Conference Littoral, Belgium
2011: Shaping the New, International artist-in-residency Conference, Kosice, EU Cultural Capital 2013, Slovakia