To plant a seed to spark the unforeseen future.
conceptual artist, (sub) urban curator, tutor, maker
since 2000: art + heritage + society + art as public space
conceptual artist + independent (sub)urban artist-curator + empirical artistic field researcher + art-science-society + tutor + environmental storytelling + inventor of innovatory heritage = the shift from static/exclusive towards dynamic/inclusive heritage, the shift from material heritage to include also immaterial heritage.
since 2006: sea + time + landscape + climate
co-founder, artist-curator of artists collective Satellietgroep. Founded in The Hague, Netherlands in 2006, Satellietgroep explores the reciprocal relations of humanity and nature from an artistic perspective, with a focus on the sea, (coastal) landscape transitions, climate and the impact of humanity on the planet, with art-science-society projects, over 10 years of international exchange artist-in-residency programs with public expeditions in the Netherlands and abroad = the shift from professional climate awareness towards inclusive public climate awareness.
it’s a love story! Earth, ceramics, time & climate
art + paleontology + geology + archeology + hydrology + ecology + future climate = in search of the miraculous…the hybrid in-between-ness of the natural and artifactual.
Since 2020: conceptual porcelain | future paleo porcelain | public touching upon time & climate
maker, trying to capture timeless landscapes into a simple sensuous Cup with Soul | guided by the transience of time | with notions of geological and archeological time being present in the here, now and the future | re-using, re-cycling, up-cycling, re-inventing historic porcelain and Bone China recipes | North Sea Mammoth Fossils Porcelain | The Hague Dunes Iron Age Pottery Porcelain | hybrid fossils-artifacts | Cups with Soul | living botanical heritage | indigenous Sphagnum mosses | Sphagnarium | Ginkgo, a living fossil | a hommage to Ginkgo biloba | conceptual ceramics | 3-d technology | Biodigital Eggshell Porcelain | Future Paleo Porcelain | anticipating the ongoing process of climate change | a future trace fossil | a next index fossil | for unknown posterity to come…
NEWS:
2025: artistic coach icw Ronald Boer of students iArts, Maastricht Academy of Interdisiciplinary Arts: Arts & Ecologies: On Water#3.
2025: artist-in-residency at Cool Clay Collective Rotterdam, with special thanks to Van Achterbergh-Domhof Foundation.
2024: 3 months artist-in-residency Kouraku Kiln in Arita, Japan, with special thanks to Stroom The Hague.
2024: Nabijheid | Proximity, artist-in-residency Park Studio de Orangerie, Zone2Source Amsterdam.
2024: Archiving the present, selected participant, Archival Consciousness, Framer Framed.
BIO, NL
Jacqueline Heerema is conceptueel kunstenaar, (sub)urban curator en docent. Ze studeerde Monumentaal en vervolgens Omgeving aan de Koninklijke Academie van Beeldende Kunsten Den Haag, gevolgd door Theoretische Museologie aan de Universiteit Leiden. Als empirisch artistiek veldonderzoeker zoekt ze veelzijdige perspectieven om ruimte te creëren voor wederkerigheid en meerstemmigheid in een snel veranderende kwetsbare wereld.
Jacqueline is gefascineerd door percepties van tijd en constructies van waarde, die we vaak als vanzelfsprekend beschouwen.
Ze beschouwt kunst als publieke ruimte en verbindt kunst en wetenschap met publiek.
Kunst als publieke ruimte
in 2001 plaatst Jacqueline een schommel in een geopend raamkozijn om de publieke rol van kunst(instellingen) te bevragen. Een surrealistische en efemere publieke interventie in tentoonstellingsruimte TENT in de Witte de Withstraat in Rotterdam. Hoog boven de straat kon gedurende 1 middag publiek van binnen naar buiten schommelen, of andersom.
Kunst en erfgoed: de verschuiving van materieel naar ook immaterieel erfgoed
Met een praktijk in kunst en erfgoed transformeerde ze een woonwijk tot ‘Museum Oostwijk’ (2002-2009), deconstrueerde institutionele museologie in ‘De Wonderkamer van Zoetermeer’ (2008-2009) en is uitvinder van Innovatory Heritage, waarbij het begrip van erfgoed verschuift van statisch/exclusief naar dynamisch/inclusief. Op uitnodiging van COMCOL deelde ze haar inzichten onder meer met de presentatie ‘Can art contribute to new concepts of heritage, museums, collections and society?’ tijdens het jaarlijkse museumcongres ICOMRio in Rio de Janeiro, Brazilië (2013). Over inclusie, en verschuiving van materieel naar ook immaterieel erfgoed.
Kunst, natuur en collectief: de verschuiving van professioneel naar ook publiek klimaatbewustzijn
Als onderdeel van haar artistieke praktijk is Jacqueline mede initiator en curator van Satellietgroep. Een internationaal kunstenaarscollectief dat sinds 2006 de veranderende relatie tussen mens en natuur vanuit artistiek perspectief onderzoekt, met een focus op de zee, (kust)landschapstransities, klimaat en de impact van de mens op de planeet. Ze ontwikkelde en cureerde ruim tien jaar artist-in-residency programma’s met publieke expedities in binnen- en buitenland (Scheveningen, Den Haag, Wadden, Afsluitdijk, Zandmotor, België, New York, Japan, UK, Malta, Kroatië, Litouwen, Rusland Georgië, Moldavië, Turkije, 2009-2019). Op uitnodiging sprak ze in het Europees Parlement in Brussel over ‘Arts & Climate Change’ (COP 21, 2015).
In 2018 cureerde ze het tentoonstellingsprogramma ‘Climate as Artifact – Klimaat als Mensenwerk’ in de Elektriciteitsfabriek in Den Haag. Gedurende vijf weken werd op locatie gewerkt en vonden workshops, seminars en publieke expedities plaats. Publiek kon bijdragen aan artistiek onderzoek en kreeg via de kunsten toegang tot andere kennisdomeinen. In 2021 publiceerde Technische Universiteit Delft haar essay ‘Pioneering Sand Motor – Sand Motor as source to rethink anthropogenic coastal modifications of cultural public space’. Ze introduceerde de Zandmotor als Klimaatleerschool, over het belang van de verschuiving van professioneel naar ook publiek klimaatbewustzijn.
Kunst en publiek aanraakbaar maken van tijd en klimaat: It’s a love story!
Naast projecten over zee, kust, wadden, polders, dijken, badplaatsen, een regenrivier en de Zandmotor ontwikkelt ze sinds 2019 ‘The becoming, The being & The meanwhile’, een kunstproject over zinnelijkheid, tastzin, kwetsbaarheid en klimaat rondom een geconstrueerd moerasje genaamd Land in wording in het Amstelpark Amsterdam. Ze begint in 2019 met een Sphagnarium om onvoorwaardelijk collectief zorg te leren dragen voor een collectie levende Nederlandse inheemse landschapsvormende veenmossen en liefde in het klimaat discours te brengen.
Op het raakvlak van kunst met paleontologie, geologie, archeologie, hydrologie en ecologie spelen circulaire percepties en maakbaarheid van tijd, materie, landschappen en klimaat een grote rol in het werk. De wijze waarop natuurlijke en door de mens veroorzaakte krachten elkaar in de tijd ontmoeten zijn daarbij een kern. Niet alleen een landschap wordt daarbij onderzocht, maar ook of en hoe de waarneming zélf vormgegeven kan worden. Kan ons voorstellingsvermogen verder uitgedaagd worden en is het mogelijk een meer affectief, zinnelijk wereldbeeld te creëren?
Het gieten van het dunste doorschijnende eierschaalporselein is als een oefening in vooruitzien op een toekomstig klimaat, om de poëzie van Aardse kwetsbaarheid en vergankelijkheid tot uitdrukking te brengen.
Aanraakbaar maken van tijd en klimaat vormt de kern van het werk. Daarbij worden verschillende methodes en media ingezet, van participatieve publieke interventies, het creëren van ruimtelijke stil-levens met ook levende mossen en wieren t/m 3d-technologie, tekst en fotografie.
Zorg voor de leefomgeving komt tot uitdrukking in uiterst spaarzaam energie- en materiaalgebruik in alle fases van het maakproces.
Om als maker de reikwijdte van circulair sustainable conceptual ceramics | future paleo porcelain te onderzoeken is Jacqueline regelmatig artist-in-resident, recent bij BC3, Basque Center for Climate Change, in Bilboa Spain (2019); in EKWC, het Europees Keramisch Werk Centrum in 2020; EKWC 2021; Zone2Source 2021; Cascadas Artspace Barcelona 2022; Zone2Source 2022; ClayKitchen Portugal 2023; Zone2Source 2024; Kouraku Kiln, Arita Japan 2024; Cool Clay Collective in Rotterdam in 2025.
Kunst en educatie
Naast gastdocentschappen en als extern examen expert, ontwikkelt Jacqueline als artistic coach en – researcher nieuwe onderwijsprogramma’s op uitnodiging van kunstacademies en universiteiten. Sinds 2023 realiseert ze jaarlijks Arts & Ecologies: On Water voor studenten iArts, Maastricht Academy of Interdisiciplinary Arts met veldwerk en stakeholders ism Ronald Boer. In 2019-2020 ontwikkelde ze de pilot Beyond Technology – on pharmaceuticals in water – als testcase voor interdisciplinaire samenwerking tussen studenten van universiteiten en kunstacademies voor de Universiteit Twente, dept. Water Management in samenwerking met Art Academy ArtEZ, Art & Design. In 2015-2016 organiseerde ze artistieke veldlessen op de Zandmotor voor studenten Elements Lab Artscience Interfaculty KABK, Den Haag.
Sinds 2015 is ze vrijwilliger in de archeologie (AWN); in 2022 werd ze voorzitter van de Nederlands-Belgische stichting Klimaatdichters.
BIO EN
Jacqueline Heerema is a Dutch conceptual artist, (sub)urban curator and tutor. She studied Monumental Art at the Royal Academy of Art The Hague, followed by Environment at the Royal Academy of Art The Hague, and Theoretical Museology at Leiden University. As an empirical artistic field researcher, she seeks multifaceted perspectives to create space for reciprocity and polyphony in a rapidly changing fragile world. Jacqueline is fascinated by perceptions of time and value systems, which we often take for granted.
She perceives art as public space and interconnects art and science with audiences.
Art as public space
In 2001, Jacqueline placed a swing in an open window frame to question the public role of art (institutions). This surreal and ephemeral public intervention took place in TENT exhibition space on Witte de Withstraat in Rotterdam. High above the street, the public could swing from inside to outside, or vice versa, for one afternoon.
Art and heritage: the shift from tangible to include also intangible heritage.
With a practice in art and heritage, she transformed a residential area into ‘Museum Oostwijk’ (2002-2009), deconstructed institutional museology in ‘The Chamber of Marvels’ (2008-2009) and is the inventor of Innovatory Heritage, in which the understanding of heritage shifts from static/exclusive to dynamic/inclusive. At the invitation of COMCOL, she shared her artistic insights with the presentation ‘Can art contribute to new concepts of heritage, museums, collections and society?’ during the annual international museum congress ICOMRio in Rio de Janeiro, Brazil (2013). About inclusion, to enhance the shift from tangible to include also intangible heritage.
Art, nature, and the collective: the shift from professional to include also public climate awareness
As part of her artistic practice, Jacqueline is co-founder and artist-curator of Satellietgroep. An international artist collective that explores the changing relationship between humanity and nature from an artistic perspective since 2006, with a focus on the sea, (coastal) landscape transitions, climate and the impact of humanity on the planet. For over 10 years she initiated and curated artist-in-residency programs with public expeditions in the Netherlands and abroad (Scheveningen, The Hague, Wadden, Afsluitdijk, Zandmotor, Belgium, New York, Japan, UK, Malta, Croatia, Lithuania, Russia, Georgia, Moldova,Turkey, 2009-2019). She was invited to speak at the European Parliament in Brussels on ‘Arts & Climate Change’ (COP 21, 2015). In 2018 she curated the exhibition program ‘Climate as Artifact – Klimaat als Mensenwerk’ in the Electriciteitsfabriek in The Hague. Five weeks of ongoing onsite artistic research and art production with workshops, seminars and public expeditions. Audiences could contribute to artistic research and gained access to other knowledge domains through the arts. In 2021, Delft University of Technology published her essay ‘Pioneering Sand Motor – Sand Motor as source to rethink anthropogenic coastal modifications of cultural public space’. She introduced the Sand Motor as Klimaatleerschool, a vital learning environment for climate, and the need for the shift from professional to enhance and include also public climate awareness.
Art and public, making time and climate tangible: it’s a Love Story!
In addition to projects about the sea, coasts, mudflats, polders, dikes, beach resorts, a rain river and the Sand Motor, she develops ‘The becoming, The being & The meanwhile’ since 2019. An art project about sensuality, sense of touch, vulnerability and climate themed around a constructed small swamp called Land in Wording in Amstelpark Amsterdam. She started in 2021 a Sphagnarium to learn to unconditionally collective care for a living collection of Dutch indigenous landscaping peat mosses and bring love into the climate discours.
At the intersection of art with paleontology, geology, archaeology, hydrology, and ecology, circular perceptions and makeabilty of time, matter, landscapes, and climate play a significant role in the work. The way in which natural and human induced forces intersect over time is the core fascination. Not only is a landscape explored, but also whether and how perception itself can be shaped. Can our imagination be further challenged, and is it possible to create a more affective, sensual worldview?
Casting the thinnest translucent eggshell porcelain is like an exercise in anticipating a future climate, to express the poetry of Earth’s vulnerability and transience.
Making time and climate tangible by touching upon time and climate is at the heart of the work.
Various methods and media are employed, from participatory public interventions and the creation of spatial still-lifes featuring living mosses and algae to 3D technology, text, and photography.
Care for the living environment is expressed in the extremely economical use of energy and materials in all phases of the creation processes.
To explore the scopes of circulair sustainable conceptual ceramics | future paleo porcelain, Jacqueline is regular artist-in-resident, most recently at BC3, Basque Center for Climate Change, in Bilboa Spain (2019); EKWC, the European Ceramic Work Center in 2020; EKWC 2021; Zone2Source 2021; Cascadas Artspace Barcelona 2022; Zone2Source 2022; ClayKitchen Portugal 2023; Zone2Source 2024; Kouraku Kiln, Arita Japan 2024; Cool Clay Collective in Rotterdam in 2025.
Art and education
In addition to guest lectureships and as external examination expert, Jacqueline develops new educational programs as an artistic coach and -researcher, invited by art academies and universities. Since 2023, she annually develops Arts & Ecologies: On Water for students of iArts, Maastricht Academy of Interdisciplinary Arts, involving fieldwork, stakeholders and audiences, icw Ronald Boer. In 2019-2020, she developed the pilot program ‘Beyond Technology – on pharmaceuticals in water’ as a test case for interdisciplinary collaboration between university and art academies students for the University of Twente, Water Management Department, in collaboration with the Art Academy ArtEZ, Art & Design. In 2015-2016, she organized artistic field lessons at the Zandmotor for students of the Elements Lab Artscience Interfaculty at the Royal Academy of Art, The Hague.
Since 2022: Chair of Dutch-Belgian Klimaatdichters Foundation.
Since 2015 volunteer of AWN, the Dutch Association of Volunteers in Archeology.
Projects, global overview:
Since 2020: exploring the scopes of circulair sustainable conceptual ceramics | future paleo porcelain.
2023 – ongoing: artistic coach at IArts, Maastricht Academy of Interdisiciplinary Arts icw De Onkruidenier.
Since 2021: Sphagnarium, learning to unconditionally collective take care of a living collection of Dutch indigenous landscaping peat mosses.
2019-ongoing: empirical artistic research of the in-beween-ness of the natural and the artifactual; perceptions of time, matter, landscapes and climate in a rapidly changing fragile world.
2019-ongoing: The becoming, The being & The meanwhile – subsurface as living climate archive, themed around a constructed swamp called Land in Wording in Amstelpark, Zone2Source, Amsterdam.
2019-2020: artistic researcher at Universiteit Twente-dept. Watermanagement, co-initiator Beyond Technology on pharmaceuticals in water i.c.w. Art Academy ArtEZ.
2018: artist-curator of Climate as Artifact – Klimaat als Mensenwerk, exhibition program Elektriciteitsfabriek Den Haag for artists collective Satellietgroep.
2014-ongoing: The Anthropogenic Coastal Atlas.
2014-2015: walking all the shores of the Netherlands.
2013: guest-curator Stellingname – water, land and innovatory heritage, Kunstfort bij Vijfhuizen.
2009-2019: artist-curator of international artist-in-residency exchange programs and public expeditions for artists collective Satellietgroep.
2008-2009: initiator, artist-curator of The Chamber of Marvels, Zoetermeer.
2006-now: co-founder, artist-curator of artists collective Satellietgroep.
2002-2009: initiator, artist-curator of Museum Oostwijk, Vlaardingen.
2002-2006: curator WindMee, South-Holland.
2001-2003: initiator, artist-curator of artist run initiative Hot Red Lokaal, The Hague.
2000-2005: Ik noem haar Roos, themed around constructions of identity.
1996-1997: Stonewater I, II, III icw choreographer Annelie David.
1990-1996: co-founder international art-architecture initiative Atelier VagaBond.
1986-2013: advisor, commissions for masterplans art in public space.
Awards, grants (selection):
2025: Grant Cultuurfonds – Tijl Fonds
2025: Grant Mondriaan Fonds.
2025: Grant Van Achterbergh-Domhof Foundation.
2024: Grant Stroom The Hague.
2022: Grant Stroom The Hague.
2021: Grant Mondriaan Fonds.
2021: Grant Stroom The Hague.
2020: Grant Stroom The Hague.
2017: Nomination KNAW-NIAS residency.
2016: Nomination Byoyant for Valletta-Malta EU Cultural Capital 2018.
2015: Honorary Award, I-SEA Clash of Concepts, Rijkswaterstaat
2013: Grant Mondriaan Fonds.
2008: Grant Fonds BKVB.
Recent artist-in-residencies:
2025: Next level future paleo porcelain – Touching upon time & climate, Cool Clay Collective in Rotterdam.
2024: Overlevers | Survivors – Seeking the light of the shadow, Kouraku Kiln, Arita Japan.
2024: Nabijheid | Proximity, Park Studio de Orangerie, Zone2Source, Amsterdam.
2023: Sailboat-residency Light Observatory with artist Natali Blugerman.
2023: Shape-shifting sun, water & minerals, Clay Kitchen, Portugal.
2022: Dagzomen, Park Studio de Orangerie, Zone2Source, Amsterdam.
2022: In search of the miraculous…, CasCaDas ArtSpace Barcelona, Spain.
2021: aardtijd, Glazen Huis, Zone2Source Amsterdam.
2021: Re-cast as repository | residual intimacy, EKWC, the European Ceramics Work Center.
2020: sedi | senti | ment, EKWC, the European Ceramics Work Center.
2019: Basque Center for Climate Change (BC3), Bilbao, Spain.
Exhibitions, public programs (selection):
2025: Touching upon Time & Climate, finissage Cool Clay Collective, Rotterdam.
2025: Open Porcelain Cabinet, private viewing and touching, The Hague.
2024: Seeking the light of the shadow, solo exhibition, Arita in Japan.
2024: Open Studio Nabijheid | Proximity, Park Studio de Orangerie, Zone2Source, Amsterdam.
2022: It’s a love story: Earthly Provenance | Ancestral Intimacy, exhibition, Our Living Soil, Zone2Source Amsterdam.
2022: Swamp Walk, finissage artist-in-residency Park Studio de Orangerie, Zone2Source Amsterdam.
2022: Soft Soils, aardtijd, exhibition, Arti et Amicitiae, CLUE+/VU, Amsterdam.
2022: Gathering dust, or delay as artistic research method, performative intervention, Arti et Amicitiae.
2022: Gathering dust 2 is performed by students Artistic Research In Situ (University of Amsterdam, Gerrit Rietveld Art Academy, Maastricht Institute of Arts).
2021: start Sphagnarium, to learn to take care of a living collection of indigenous landscaping peat mosses
2021: Van Doggerland t/m Zandmotor, public field lessons on time, sea and climate.
2021: Re-cast as repository | residual intimacy, Test Case XXIV at EKWC.
2021: aardtijd, Zone2Source, Amsterdam.
2021: Sensoilations, online global program during 24hr Peat-Fest in 2021.
2021: Water flows upwards, Waterschap De Dommel, Kunstloc Brabant, Living Lab Brabantse Beken, Landschapstriënnale 2021.
2020: sedi | senti | ment, Test Case XII at EKWC.
2020: Breath of Soil(s), exhibition, Zone2Source, Amsterdam.
2020: Inhale. Exhale. The art of making an earth sphere, 24hr online global workshop.
2019: Onland, public intervention, Zone2Source, Amsterdam.
2018: Climate as Artifact – Klimaat als Mensenwerk, Elektriciteitsfabriek, The Hague.
2018: Zeelab #1-5: Uptime_ (Nest), Climate as Game Changer (Border Sessions), Environmental Literacy, Global Waves, Landscape Observations (Climate as Artifact).
2018: Sources and Resources, Praputnjak, Croatia.
2017: Landscapery, Gardening without Borders, Oerol, Terschelling.
2017: Destination Highway Afsluitdam, Ministery I & M, Afsluitdijk.
2017: Sea Rise, Lund University, Malmo Design Center, Sweden.
2017: Prospectors, Three layers of Landscape, Intersections, Art Rotterdam.
2017: Making Time, Center for Archeology, Nature- and Environmental Education, The Hague.
2016: Landschapsextracten Waterland, Over het IJ Festival, NDSM Amsterdam.
2016: Sea and Zandmotor- source of artistic innovation, Center for Archeology, Nature- and Environmental Education, The Hague.
2015: Welcome in the Water Bubble, Into The Great Wide Open, Vlieland.
2015: Liminal Labs#3, LMCC – Governors Island, New York City.
2015: Liminal Labs#2, NCCA – ProArte, St. Petersburg, Russia.
2014-2021: Public Expeditions #1-18, Zandmotor, polders, wadden, Scheveningen.
2013: Zeelust, Atelier Kustkwaliteit, GEMAK, The Hague.
2013: Stellingname – water, land & innovatory heritage, Kunstfort bij Vijfhuizen.
2012-ongoing: Zeespiegel – Mirror on the Sea, 24/7 open air exhibition, boulevard Scheveningen.
2012-2013: Now Wakes The Sea, Chisinau (Moldova), Batumi (Georgia), Moskou, Kaliningrad (Russia).
2012: Now Wakes The Sea, Sinop & Istanbul (Turkey).
2010: CCC-Combine, Compare or Conflict, Istanbul (Turkey).
2008-2009: De Wonderkamer van Zoetermeer – The Chamber of Marvels, Zoetermeer.
2002-2009: Museum Oostwijk, Vlaardingen.
2006 – ongoing co-founder, artist-curator of artist collective Satellietgroep.
2002-2006: WindMee, South-Holland.
2006 Kunstriffen, art reefs, STORM, Maakhaven.
2003: Heden Verse Kunst, Quartair, Stroom Den Haag.
2001-2003: Artist-curator of artist run initiative Hot Red Lokaal, The Hague.
2002: Snoeien in de stoffering van de stad, Pruning the upholstery of the city, The Hague
2001-2005: Ik noem haar Roos.
2001: Mijn Stad – Jouw Stad, Delft.
2001: Schommel, Swing, TENT Rotterdam.
1999: Kleur is een gedachte, Galerie Kadans, Den Haag.
1999: Leestafel, Rembrandt2000, Den Haag.
1998: Daar-Hier, Kunstuitleen Nieuwengein.
1997: Stonewater III: Again… reflection, DansWerkplaats Amsterdam.
1997: Stonewater II: Once more light – light labyrinth, DansAteliers Rotterdam.
1996: Stonewater I: sensing light, seven rooms- seven moments of sensation, DasArts, Westergasfabriek
Tutor, artistic coach, researcher (selection):
2023 – ongoing: Artistic coach, IArts, Maastricht Academy of Interdisiciplinary Arts
2019-2020: Artistic researcher, Universiteit Twente, dept. Water management, co-initiator of Beyond Technology, pilot new curriculum i.c.w. Art Academy ArtEZ.
2018: Invited examination expert, Frank Mohr Institute MA MADTech, Groningen.
2015-2016: Artistic coach student Elements Lab, Artscience Interfaculty KABK, The Hague.
2015: Heritage as artistic strategy, tutor, Open Set Dutch Design Summer School, Witte de With, Rotterdam.
Artist talks (selection):
2023: Denken over de planeet, Filosofie Den Haag, Zaal 3.
2023: De Wonderkamer-revisited, Erfgoedlab DNA Zoetermeer.
2022: Soil Talks, Our Living Soil, Zone2 Source, Amsterdam
2022: To Whom Belongs the Sea? artist talks, The Anthropogenic Coastal Atlas for Sinopale 8, Sinop Biennial in Turkey; Batumi Urban Agenda in Georgia; Governors Island Climate Hub, New York City
2021: Narratives of Soils, artist talk at Community Garden SNV for seminar Learning with Others: Contemporary Issues in Art and Design Education, Piet Zwart Institute – Willem de Kooning Academy Rotterdam.
2021: Pioneering Sand Motor – Sand Motor as source to rethink anthropogenic coastal modifications of cultural public space, international Coastal Dynamics Conference at TU Delft.
2020: Can co-creation of (students of) the arts and sciences enhance public climate-conciousness? Seminar at BC3, Basque Center for Climate Change, Bilbao, Spain.
2019: Beyond Technology, Art in the Anthropocene Conference, Dublin.
2019: Beyond Technology, 4UT Resilience Conference, Universiteit Twente.
2018: Double Talk, Delta Interventions TU Delft, Faculty of Architecture, North Sea Landscape of Coexistence.
2018: Who is nature? Interviewed by sociologist Ruben Jacobs, V2_ Rotterdam.
2018: Who is nature? Viscous Space North Sea Conference, Centre for Global Heritage and Development and History of Architecture and Urban Planning, TU Delft.
2018: The Culture of Nature, 16th ISISA Islands of the World Conference ‘The changing futures of islands, Leeuwarden EU Cultural Capital 2018, Waddenacademie, Terschelling.
2018: Innovatory Heritage, Re-Scape Colloquim, The Centre for Global Heritage and Development, Leiden University, Erasmus University, the Design & History research group TU Delft, CLUE+, VU Amsterdam.
2018: Sources & Resources, Tandem, Leeuwarden2018 EU Cultural Capital, Rijeka2020 EU Cultural Capital, ECF, MidOst in Rijeka, Croatia.
2018: Who is heritage? Zone2Source, CLUE+, at VU Amsterdam.
2017: The Abundance & Scarcity Of Sand, symposium icw Atelier NL, MU Art Space, Dutch Design Week Eindhoven.
2017: Arts & The Concept of Building with Nature, NWO-NKC Conference, Jaarbeurs Utrecht.
2017: Arts & The Concept of Building with Nature, Cornell University – Architecture, Art and Planning Studio Space, Dutch Consulate in New York City.
2017: Arts & Climate Change, International Coastal Conference, Lund University, Malmo Sweden.
2016: The Anthropogenic Coastal Atlas, GEOBUZZ Conference.
2016: Arts, science, politics and climate change, ESOF Conference, Manchester.
2016: Hybrid relation of mankind and man-made nature, MANMADE, Domein Raversyde, Belgium.
2016: Zandmotor A Cultural Phenomenon, 5 years Zandmotor Conference, Kurhaus Scheveningen.
2015: Arts & Climate Change, EU Parliament Brussels, COP21, Brussels.
2015: Arts & Climate Change, National Deltaconference.
2015: Arts & Climate Change, Oerol – Sense of Place, Terschelling.
2014: To Whom Belongs The Sea? for Failed Architecture at TodaysArt, Scheveningen.
2014: Arts and Innovatory Coastal Cultures, North Sea Conference, Ministry I & M.
2014: Innovatory Heritage, Innovate Heritage Conference-conversations between arts and heritage, Berlin.
2013: Can art contribute to new concepts of heritage, museums, collections and society? ICOMRio2013, Rio de Janeiro, Brasil.
2013: Now Wakes The Sea, NIP-The Netherlands Institute, St. Petersburg.
2013: Opening Telling the Baltic, Marine Museum, Kaliningrad.
2013: Mutual AiR Impuls, International artist-in-residency Conference, Transartists, Dutch Culture, at Moscow.
2012: Participative Collecting, Expert Meeting, Museu Da Mare (Rio de Janiero, Brasil), Image IC, Kosmopolis Rotterdam, Reinwardt Academy, Rotterdam Museum, at Reinwardt Academy, Amsterdam.
2012: Culture & Coastal Transitions, International Coastal Conference Littoral, Belgium.
2011: Shaping the New, International artist-in-residency Conference, Kosice, EU Cultural Capital 2013, Slovakia.
Artist-curator-in-residency (selection):
2018: Terschelling & Croatia, Tandem, Leeuwarden – Rijeka EU Cultural Capital.
2016: Gozo, Malta, Valletta EU Cultural Capital.
2015: Governors Island, LMCC, New York City.
2015: NIP, NCCA, ProArte, St. Petersburg, Russia.
2014: LateralLab, Scotland, UK.
2014: Nida Art Colony, Lithuania.
2012-2013: Chisinau, Moldova; Batumi, Georgia; NCCA Moskou, Kaliningrad Russia.
2012: Sinop Biennial, Sinop & Istanbul, Turkey.
2012: Malta, The Hague – Valletta EU Cultural Capital.
Artist-curator of international artist-in-residency and public programs for artist collective Satellietgroep:
2014-now: Public Expeditions Zandmotor, polders, wadden, Afsluitdijk, Scheveningen.
2017: Zandgast, Zandmotor is Mondriaanfonds Binnenland Gastatelier.
2014-now: Zandgast, Zandmotor.
2013-2019: DCR Gueststudios, The Hague.
2012-now: Now Wakes The Sea, international exchange artist-in-residency programs Netherlands – New York, Japan, UK, Malta, Croatia, Lithuania, Russia, Georgia, Moldova, Turkey.
2009-2015: Badgast, Scheveningen.
Publications, essays:
(Expected) Innovatory Heritage, essay, author, selected to be published in Innovate Heritage, conversations in between art and heritage, Springer Publishers.
2021: Pioneering Sand Motor – Sand Motor as source to rethink anthropogenic coastal modifications of cultural public space, essay, author, published in, Research in Urbanism Series by Delft University Publishers.
2021: Soft Soils, essay, author, published in Exploded View, Art and Research on Layered Landscapes in Transition by CLUE+, Vrije Universiteit Amsterdam.
2021: Veldgids Water stroomt omhoog, author, Waterschap De Dommel, Kunstloc Brabant for Living Lab Brabantse Beken, Landschapstriënnale 2021.
2020: Who is nature? essay, co-author, published in Urbanisation of the Sea by Nai010 Publishers.
2020: Beyond technology Magazine, co-author, publication i.c.w. University Twente and Art Academy ArtEZ.
2018: Zandmotor – a cultural phenomenon, essay, author, published by Delft University Publishers.
2015: Conversations between arts and heritage, essay, author, to be published in Innovate Heritage, Berlin.
2014: On Flux of Sand and Aquatic Ecosystems, co-curator of Inter-Format Symposium hosted at Nida Art Colony, Lithuania; author, essay Liminal imaging of nature, published in Log6 by Nida Art Colony.
2013: Badgast, author, Satellietgroep, publication Badgast artist-in-residency programs Scheveningen.
2013: Now Wakes The Sea, co-author, Satellietgroep, publication of international exchange artist-in-residency programs Netherlands-Turkey in 2012.
2013: The concept of Innovatory Heritage, essay, publication ICOM Rio 2013 – COMCOL Museology, in the context of the talk at ICOM Rio 2013, Rio de Janeiro, Brazil.
2009: 4289, The Chamber of Marvels of Zoetermeer, co-author, publication, spread to all museums, heritage and heritage education institutions in the Netherlands, 1200 editions.
2009: Museum Oostwijk, author, publication spread house-to-house in Oostwijk, Vlaardingen, 3000 editions.
2008: Beachlife, co-author, Frame Publishers.
2008: S.MAG#2 Zee – Geen zee, Sea – No Sea, co-author, Satellietgroep Sea Magazine.
2007: S.MAG#1 Het Zeedelijk, author, Satellietgroep Sea Magazine.
Jacqueline Heerema 